Our mission at K Mitchell Media is to raise consciousness through the art of cinematic storytelling. We approach our work through identifying an overarching goal for the film. Once this direction is established the message is clarified through a survey and consultation. These brief and easy steps are used in identifying the virtue, vision, and voice of each client. This is a design sequence necessary to effectively communicate our client’s purpose and intent made in the film.
We do not interview; instead, we have a conversation. People are sufficiently fascinating to negate scripts and tele-prompters. Added to the film are primary source documents, images, and symbolic language to create subtext and meaning to support the film’s vision and voice.
An added element to our storytelling is intuitiveness, which allows for the effortless evolution of a story – “the organic thread” that aligns with the client’s vision for the film.
Upon establishing a professional relationship with the consultation and survey, clients are asked to identify 3 to 5 key words that will support the direction of the film and focus the search engine optimization for the film. Note: our work is to reveal the natural story that occurs within the stated parameters. You can find more information about work with Kathryn watching the client testimonials here.
K Mitchell Media's story telling is comprised of Kathryn Mitchell's producing and Jim Hesterman's cinematography.
Kathryn Mitchell, owner of and Creative Director of K Mitchell Media, approaches her career with enthusiasm and versatility. Her resourcefulness and determination have led her to a variety of professional and advocacy opportunities. She has designed promotional materials, created and maintained multiple social media communications, and both produced and stared in educational and narrative documentaries.
Living in Dublin, Ireland and Cuernavaca, Mexico have enriched Kathryn’s talent for storytelling. Her 25 plus years in the classroom have honed her empathy, sense of humor, and timing.